My grandmother plants Tulips in the garden while our hometown Kharkiv is constantly being bombed. She is complaining that the bees don't pollinate her flowers, so there will be no fruits in summer.
In 1960s Tajikistan, a skydiver gets a call from her granddaughter in 2022 Ukraine, sparking an intergenerational journey through trauma, memory and identity.
When: 17 March 2026 18:00-19:30 CET
Where: Dialogbüro Vienna, Eßlinggasse 9/6, 1010 Vienna, Austria (only offline)
Language: English
Admission: free, please, register via the link
Where: Dialogbüro Vienna, Eßlinggasse 9/6, 1010 Vienna, Austria (only offline)
Language: English
Admission: free, please, register via the link
Join us to see Polina Piddubna’s animated documentary “My grandmother is a skydiver”, premiered at Festival de Cannes, and the works created by the animation workshop participants.
THE STORY
Alfyia, a joyful young woman in 1960s Central Asia, is actively parachuting and studying to become a midwife, when she receives an extraordinary phone call from her granddaughter in 2022. She is worried about her grandmother's safety amid the invasion of Ukraine. In this intergenerational conversation across time and space, the granddaughter tries to restore and rethink family memory and her own ethnic identity, break the endless cycle of collective trauma and reflect on the meaning of human life.
Alfyia, a joyful young woman in 1960s Central Asia, is actively parachuting and studying to become a midwife, when she receives an extraordinary phone call from her granddaughter in 2022. She is worried about her grandmother's safety amid the invasion of Ukraine. In this intergenerational conversation across time and space, the granddaughter tries to restore and rethink family memory and her own ethnic identity, break the endless cycle of collective trauma and reflect on the meaning of human life.
"My Grandmother is a Skydiver" is a poetic animated documentary that journeys through time, geography, generations, and cultures to explore themes of life, the sky, knowledge, loss, and war.
Research for this project began in early 2022, sparked by my interest in my grandmother's life as a young, progressive woman from a Muslim background in Central Asia, as well as the broader development of feminism in the region. After the full-scale Russian invasion, which directly impacted my hometown in eastern Ukraine and my family, the story took on a deeper subtext. The colonial legacy of the aggressor country stretches back centuries, affecting Eastern Europe, the Caucasus, Central, and North Asia. Countless cultures, languages, and ethnic groups have faced and continue to face oppression. These issues remain largely undiscussed; our stories are often overlooked by the international community.
This film serves as a form of media therapy, providing a space for reflection, healing, and resilience for those directly impacted by conflict. It promotes cultural visibility and advocates for ethical approaches to marginalized narratives. It calls for decolonizing perspectives, unlearning biases, and making space for stories long kept on the margins to emerge into global consciousness and solidarity.
In its essence, the film is a political statement conveyed through the personal story of my family.
Polina Piddubna
Polina Piddubna
Filmmaker, artist and activist with Ukrainian and Central Asian Tatar and Bashqort roots. Polina was born and raised in Kharkiv, started her career in Kyiv, and has been living in Berlin since 2019. She has a bachelor's degree in animation and is currently doing her master's as an animation director at the Film University Babelsberg Konrad Wolf in Potsdam. Polina also organises social and educational projects, works at film festivals and does artistic research on decolonial topics.
Filmmaker, artist and activist with Ukrainian and Central Asian Tatar and Bashqort roots. Polina was born and raised in Kharkiv, started her career in Kyiv, and has been living in Berlin since 2019. She has a bachelor's degree in animation and is currently doing her master's as an animation director at the Film University Babelsberg Konrad Wolf in Potsdam. Polina also organises social and educational projects, works at film festivals and does artistic research on decolonial topics.
FILM CREDITS
Author, Director and Producer Polina Piddubna
Editor Jin Ju Lee
Sound and Mixing Danylo Okulov
Music Ilja Gussarov
Voice Actors
Mahla Mosahaneh - young Alfiya Polina Piddubna
Boshra Alkasir - Umeda
Victoria Kosorukova - Midwife Dinara Rasuleva - daughter of Alfiya Alfiya Popowichenko
Lead Animator and Layout Artist Yulia Khivrina
Animation, Inbetweening, Coloring Daria Sherstiukova, Emilien Bremaud, Oleksandr Chub, Valeriia Belkevych, Lino Held, Emily Worms, Polina Piddubna, Sofia Ostaltseva, Nathalie Kretschmer
Background Design Anna Lutsiuk
Assistant of Background Designer Lidiya Mikhaylichenko
Character Design Polina Piddubna
Concept Design Sonia Leliukh
Graphic Design Yulia Saatova, Dariia Yudina
Compositing Artist Nikita Savenko
Camera References Danylo Okulov
Actors Polina Piddubna, Clara Schulze, Boshra Alkasir, Viktoria Kosorukova, Maria Levinstei
Author, Director and Producer Polina Piddubna
Editor Jin Ju Lee
Sound and Mixing Danylo Okulov
Music Ilja Gussarov
Voice Actors
Mahla Mosahaneh - young Alfiya Polina Piddubna
Boshra Alkasir - Umeda
Victoria Kosorukova - Midwife Dinara Rasuleva - daughter of Alfiya Alfiya Popowichenko
Lead Animator and Layout Artist Yulia Khivrina
Animation, Inbetweening, Coloring Daria Sherstiukova, Emilien Bremaud, Oleksandr Chub, Valeriia Belkevych, Lino Held, Emily Worms, Polina Piddubna, Sofia Ostaltseva, Nathalie Kretschmer
Background Design Anna Lutsiuk
Assistant of Background Designer Lidiya Mikhaylichenko
Character Design Polina Piddubna
Concept Design Sonia Leliukh
Graphic Design Yulia Saatova, Dariia Yudina
Compositing Artist Nikita Savenko
Camera References Danylo Okulov
Actors Polina Piddubna, Clara Schulze, Boshra Alkasir, Viktoria Kosorukova, Maria Levinstei
